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Megan L. Lavengood

music theorist

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Other posts

IASPM 2017
Setting goals for the summer
The Tenure-Track Job Search in Music Theory
What happens in the writing center
New Years Resolutions for 2017
What Makes It Sound Like Christmas?
Volunteering with CUNY Citizenship Now!
Lerdahl’s Timbral Hierarchies
Listening
AMS/SMT 2016: The One with the Sound Bleed
Fado
I Want It That Way
Beat of a Different Drummer?
What helps me survive writing my dissertation
’80s-inspired music
Reading about embodiment (Heidemann on timbre)
A theory of attacks?
Are We Not New Wave?
Keyboard Magazine in 1986
“6 Inch” transcription
GSIM 2016: Music and Radicalism, Radicalism in Music
How Things Sound
MTSNYS 2016 reflections
Should Have Known Better
Ear Training fantasies
Analyzing timbre
WHAT is the DEAL with TIMBRE?
Garden pathing in Kesha’s music
Blogging and the writing process

Tags

80s music academia analysis Beyoncé blogging carrie & lowell dissertation DX7 ear training feminism fragile tonic garden path gender harmony Kesha lyrics motivic unity pedagogy politics schenker singing spectrograms stravinsky sufjan stevens theory timbre transcription writing Yamaha year in review

Categories

80s (5)
analysis (6)
conferences (4)
food for thought (5)
just for fun (1)
meta (2)
pedagogy (2)
Reviews (3)
taking action (2)
theory (7)
timbre (9)
writing (1)

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