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Megan L. Lavengood

music theorist

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Tag: recording

IASPM 2017

IASPM 2017, Kassel, Germany. A brief summary of papers I attended.

Published July 11, 2017

Categorized as analysis, conferences, theory Tagged analog, digital, empowerment, femininity, feminism, free music, gender, gesture, girls rock, live, masculinity, music analysis, music theory, persona, popular music, post-feminism, psychedelia, queer, recording, timbre, time

Megan L. Lavengood

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