Planning for 2018–2019

So I’ve covered what I did last year, and what I’m gonna do now (I hope). Here’s an even more hopeful/ambitious post: my goals for the 2018–2019 school year.

Read through my course journals from Fall 2017 and make adjustments.

I’ve taught a lot of the classes I teach here at Mason before at Brooklyn College and Florida State, but last year was the first time I forced myself to keep course journals. After each class (well, almost every class), I wrote at least one sentence commenting on the vibe of the class, what went well, what didn’t go well. I want to make this a purposeful activity and incorporate those observations into my adjustments for next year’s courses.

Set up SignUpGenius to have even better boundaries with student meeting times.

So yeah, I made a schedule for myself last year, but I had trouble sticking to it because I have trouble saying “no” to students sometimes if my schedule doesn’t work ideally with theirs. A colleague of mine suggested SignUpGenius as a way to have like an online appointment booking service for my office hours, like you would use for your hair stylist or something.

I’ve tested this out here. Sign up for a fake appointment with me—seriously! I want to see how it works. Feel free to let me know what you think of the layout, etc.

Get a Renaissance singing club running.

In New York, I was in an amateur choir called the Renaissance Street Singers, which was an amazing experience and taught me so much about casual music-making and all the joy it brings. I want to try to recreate that experience here in Fairfax. My idea is basically that it’s not so much a choir per se as a singing club. We’ll gather, read music, eat and drink, chat, and have fun. No need for performances at all, but maybe they could be added at a later stage. I believe in this as a project because it teaches people to not be so shy about their singing voices, you learn to love Renaissance music, you get better at sight singing, and you make friends. It’s the best.

At the beginning of the year, I made this website and posted a thing about it on my office door, but got swamped and couldn’t follow through. Next year I hope to get students and faculty interested, and attempt to figure out a good meeting time for everyone.

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Goals for Summer 2018

So this is the second installment of my 3-day blogathon thing (with a past/present/future theme). Today’s focus is summer goals. I have a lot of professional and personal goals to achieve this summer, some of which I’ve already knocked out—so I’m getting started on the right foot, at least. (The philosophy of goals is to have both achievable goals as well as stretch goals, after all!)

Writing goals

In a teaching-heavy position like mine, it’s very difficult to make substantial progress on writing during the semester, and nigh impossible to do so in the first year of a new job. So the summer is the time for me to reconnect with my researcher side and take care of all those creative tasks that require ample space for thinking.

  1. Today: I just today finished a complete draft of a book chapter for an edited collection, titled “Timbre, Genre, and Polystylism in Sonic the Hedgehog 3” and sent it off to the editor. I’m sure there’s more revising to be done, but it feels good to complete a draft.
  2. Sometime in June: I am collaborating with other authors on an article on another chapter in another edited collection, which analyzes “Partition” by Beyoncé—this is the followup project from a “summer school” I attended in Summer of 2015 (gosh, three years ago!). I promised my group members I’d respond to critique from editors in June, so I’d better keep my promise.
  3. By Early July: I’m presenting my dissertation research at a timbre conference in Montreal, hosted by McGill. It’s a poster presentation, so I need to design a pretty poster.
  4. July/August: I just heard back from a journal yesterday that I’ve gotten a revise (substantially) and resubmit on an article I’ve been kicking around for quite a while now. While I’m slightly bummed at the extent of the revisions that they want, the review I got was very thorough and had a lot for me to work with. Nevertheless, I’m gonna kick that can down the road a bit while I come to terms with all that.

Teaching goals

  1. By June 1: I am going to submit an application for a grant on behalf of a committee of people who are wanting to revise the theory curriculum. I am trying to do a modular (i.e., non-sequenced) theory curriculum that incorporates an entire semester focused on jazz and pop music, among other things. We are also working to bring performance experience into the classroom in more tangible ways, like including a playing component to the typical battery of timed quizzes in the Theory I class.
  2. By June 4: Redesign the DMA comprehensive exams.
  3. By mid-July: I will have completed a course through my university that teaches professors how to design an online course through Blackboard. I teach a graduate course required for all masters’ students, and because of differing scheduling needs (educators need night classes; performers need day classes), offering the course online is an ideal presentation for this course. But, I don’t currently know how I’m going to make it as discussion-based and interactive as my in-person class. Hopefully completing the course will inform me a bit better. I’m applying for funding for this activity too.
  4. By the start of next semester: Provided we’re awarded the grant, I will work with other members of the curriculum re-design team to develop new materials for the theory courses, particularly the jazz/pop course. We won’t implement anything til Fall 2019 probably but it’s still good to get this work done early.

Personal goals

(Not-so-)fun fact! I, like a lot of professors, don’t get paid over the summer. This is part of the motivation for trying to acquire some of this money for redesigns. So I’m going to really try to limit the work I try to do over the summer to these projects listed above (granted, that’s probably way too much unpaid work still). Here’s my plans for summer relaxation:

  • Several camping trips. I used to go camping when I lived in Florida, but (shocker) I sold all my camping goodies when I moved to New York City. Now that I’m back in the #suburblife, and I own a Subaru Forester, camping is a lot more attainable than it had been. I just went camping last weekend at a park 15 minutes from my apartment. It sounds like a silly thing to do, but it was actually amazing. I’m hoping to do this spontaneously any nice weekend that I can. I have two more camping trips already planned this summer, to Assateague and Chincoteague islands, where the wild horses roam on the beach.
  • Other non-camping trips. I’m going to New York City again and so thrilled to hang out with old friends and eat some decent food and get a decent haircut at my old place. I still miss Brooklyn terribly. I’m also going on a family vacation with my dad, both my brothers, and my brothers’ partners to West Virginia. It’s a lot to handle but should be good quality time.
  • Video gaaaames. I’m still obsessed with Crusader Kings 2, which I have been for, I’m guessing, 5 years at least. It’s still fun. I’ve also been playing a lot on the Nintendo Switch, like Mario Kart. Hopefully Smash Bros will come out soon too.
  • Singing! My church job recently decided to employ a quartet over the summer to sing some more polyphony in the summer Latin masses. While my church choir job has been stressing me out a bit lately, I’m definitely down for one-to-a-part singing, anytime, anywhere.

It’s a… erm… ambitious program I’ve laid out for myself here—it’ll be interesting to check in at the end of the summer and see how much of this I was able to follow through on.

What happens in the writing center

Instead of teaching college classes, for the fifth year of my fellowship, my assignment is to work in a college writing center. I have long told my students to take their papers to the writing center for help, without having actually gone myself. Now, I help students with their class essays in any subject, or sometimes I help them with graduate school application materials.

Working at the writing center gives me a new window into students’ perspectives on writing. Students tend to vent or otherwise open up to writing tutors—they feel safe with us. Every day, I listen to students who are trying their very hardest to succeed in school, but they are stretched incredibly thin and pulled in many different directions. The students I tutor are, almost always, not just going to school; they are working, they have children, they are immigrants who travel back to their home countries regularly. Students are also often facing immense barriers to their success: they are suffering from illnesses; they are broke; they are being evicted. Their teacher wants them to write a paper, though, so they are at the writing center asking for help.

So when I am scrolling through Twitter to take a break between tutoring students, and I come across a tweet like this…

…it’s hard not to get immediately incensed, on a personal level.

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Reading about embodiment (Heidemann on timbre)

Since I first saw it, I’ve been fascinated by this video of an impressionist singing in the style of many different singers. I love karaoke, and I love doing impressions of quirkier singers myself (Celine Dion, Idina Menzel, and Britney being a few of my favorites)—I’m nowhere near as good as Christina Bianco, but it’s good to have goals.

https://www.youtube.com/watch?v=C3DlDPeurRw

Actually, watching Christina Bianco convinced me that it must be possible for anyone to sing beautifully. It must all just be muscles and vowel placement and so on, if this one woman can make all these different kinds of voices!

Never having studied the voice seriously, it’s hard for me to describe how I would make these different voices. But it’s probably the first thing you’d try to do in describing this video to someone else. I’m reading Kate Heidemann’s article, “A System for Describing Vocal Timbre in Popular Song,” recently published in Music Theory Online 22/1, which I find a completely wonderful way to discuss vocal timbre. This article pinpoints the kinds of distinctions I’m tuning into when I watch that Youtube video above.

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Should Have Known Better

In my pop music analysis seminar last Wednesday, four of my students presented on harmony and form in four songs that I had chosen. Being a huge Sufjan Stevens fan, I couldn’t help but toss in one of his newest songs along with the more standard Beach Boys and Beatles tracks: “Should Have Known Better,” from the 2015 album Carrie & Lowell.

 https://www.youtube.com/watch?v=lJJT00wqlOo

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Ear Training fantasies

One of my longest-standing research interests is in ear training pedagogy. Conventional wisdom says that the point of ear training class is not to train students’ ears in the classroom, exactly—everyone realizes that the majority of work must be done outside of class (though it’s hard to convince students that this is a good use of their limited time when ear training is a 1-credit-hour course)—rather the point is instead to give students methods for practicing. But what also takes up a large portion of class time is assessment. This assessment comes in the form of solo singing in front of their peers, and dictation tests. Both of these assessment activities are not ideal, as most pedagogues will admit. So then why do they persist?

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