SMT 2017

The Society for Music Theory’s 40th annual meeting is now behind us (program available here). I was pleased that the conference was held in Arlington, VA, a 30-minute drive away from my apartment in Northern Virginia.

At the risk of revealing just how many papers I did not see, (*cough*) below summarizes most of what I did at SMT. I’ve divided my experience into three categories:

  1. Indian classical music
  2. Mentorship and diversity
  3. Popular music

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Reading about embodiment (Heidemann on timbre)

Since I first saw it, I’ve been fascinated by this video of an impressionist singing in the style of many different singers. I love karaoke, and I love doing impressions of quirkier singers myself (Celine Dion, Idina Menzel, and Britney being a few of my favorites)—I’m nowhere near as good as Christina Bianco, but it’s good to have goals.

https://www.youtube.com/watch?v=C3DlDPeurRw

Actually, watching Christina Bianco convinced me that it must be possible for anyone to sing beautifully. It must all just be muscles and vowel placement and so on, if this one woman can make all these different kinds of voices!

Never having studied the voice seriously, it’s hard for me to describe how I would make these different voices. But it’s probably the first thing you’d try to do in describing this video to someone else. I’m reading Kate Heidemann’s article, “A System for Describing Vocal Timbre in Popular Song,” recently published in Music Theory Online 22/1, which I find a completely wonderful way to discuss vocal timbre. This article pinpoints the kinds of distinctions I’m tuning into when I watch that Youtube video above.

Continue reading “Reading about embodiment (Heidemann on timbre)”