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Megan L. Lavengood

music theorist

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Analyzing timbre

I’ve removed this post, which was from 2016 (!), because my approach to timbre has evolved a lot. Readers should check out my MTO article instead, which was published in 2020. You can find more publications (all of which was published later than this blog post) on my Research page.

Published March 15, 2016By Megan
Categorized as analysis, theory, timbre Tagged 80s music, dissertation, DX7, spectrograms, Yamaha

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Megan L. Lavengood
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