In my pop music analysis seminar last Wednesday, four of my students presented on harmony and form in four songs that I had chosen. Being a huge Sufjan Stevens fan, I couldn’t help but toss in one of his newest songs along with the more standard Beach Boys and Beatles tracks: “Should Have Known Better,” from the 2015 album Carrie & Lowell.
Paul Lester: Ke$ha, are you satirising teen America, their voraciousness and bloodlust when it comes to consumption and sex?
Ke$ha: Absolutely! And you either get it or you don’t.
From the first time I heard “Tik Tok”, I’ve had a special place in my heart for Kesha’s music. I was immediately fascinated with her sung style flow, which I jokingly refer to as Sprechstimme. Her self-awareness and satire makes her trashy style highly appealing.
Two of my karaoke standbys are Kesha’s “Dinosaur”, from her album Animal, and “Sleazy”, from her EP Cannibal. Both are more deep cuts—”Dinosaur” was never released as a single, and “Sleazy” was a B-side to “We R Who We R”—and most often my friends haven’t heard them before, and immediately roll their eyes at my selection because they assume Kesha’s music is just trashy boring pop. As far as I can tell, though, every time I win over some new Kesha fans with these two tracks. They’re catchy, but moreover, they’re funny!
One technique Kesha uses to create humor in her songs is through garden pathing.